Couple of devices have excited such commentary, for and against, than the flower crown, so trendy of late amongst the neo-hippie festival crowd. Despite critics, these decorative headpieces, whose history in folklore and art can be traced back to ancient civilizations, show no signs of fading from favor.
It's an appearance that has roots. In agrarian societies, tied to the land and the seasons, flower crowns had excellent symbolic significance. Worn for useful and ceremonial reasons, they might show status and accomplishment (see Olympic olive wreaths). The language of flowersand herbs was widely known, with each carrying its own significance. ("There's rosemary, that's for remembering. Please remember, love. And there are pansies, they're for ideas," says Ophelia in Hamlet.) Loaded with significance, floral headdresses were woven into the sartorial and social traditions of destinations as far-off as Russia and Hawaii.
With increasing industrialization, the flower crown became a romantic indication of the easy "nation" life (longed for, in a stylized variation, by Marie Antoinette) and increasingly valued for its decorative worth. While brides continued the ritualistic traditions of flower-wearing, it was the earth-mother hippies who have actually most influenced the device's Source present version. Finding themselves partying instead of plowing, these flower children would truss their slept-in hair with wildflowers to weblink represent their connection to nature.
In still more recent years, the flowers have even news taken a subversive turn on the runways, with Rodarte designers Kate and Laura Mulleavy adorning designs with burnished coronets and cast-metal petals-- and unleashing a fresh wave of flower mania among the fashion flock at the same time. In honor of the summer solstice, a motivating look back at flower crowns throughout history.
In agrarian societies, connected to the land and the seasons, flower crowns had great symbolic significance. With increasing industrialization, the flower crown became a romantic indication of the simple "nation" life (longed for, in a stylized variation, by Marie Antoinette) and increasingly valued for its decorative worth. Finding themselves partying rather than raking, these flower children would truss their slept-in hair with wildflowers to represent their connection to nature.